seraphica:

Kim Kelley-Wagner has two daughters who were adopted from China. In everyday life, they have been subjected to horrid statements from people - to their faces, to their mother as they stood by her, etc. In this photo collection, shared on her blog, Kim and her daughters (Lily and Meika) put these ignorant cruelties front and center. [x]

"I have tried to explain to my daughters that people do not say these things to be mean, they say them out of ignorance, which is why I am sharing some of them. Words are powerful, they can become tools or weapons, choose to use them wisely."
Zoom Info
seraphica:

Kim Kelley-Wagner has two daughters who were adopted from China. In everyday life, they have been subjected to horrid statements from people - to their faces, to their mother as they stood by her, etc. In this photo collection, shared on her blog, Kim and her daughters (Lily and Meika) put these ignorant cruelties front and center. [x]

"I have tried to explain to my daughters that people do not say these things to be mean, they say them out of ignorance, which is why I am sharing some of them. Words are powerful, they can become tools or weapons, choose to use them wisely."
Zoom Info
seraphica:

Kim Kelley-Wagner has two daughters who were adopted from China. In everyday life, they have been subjected to horrid statements from people - to their faces, to their mother as they stood by her, etc. In this photo collection, shared on her blog, Kim and her daughters (Lily and Meika) put these ignorant cruelties front and center. [x]

"I have tried to explain to my daughters that people do not say these things to be mean, they say them out of ignorance, which is why I am sharing some of them. Words are powerful, they can become tools or weapons, choose to use them wisely."
Zoom Info
seraphica:

Kim Kelley-Wagner has two daughters who were adopted from China. In everyday life, they have been subjected to horrid statements from people - to their faces, to their mother as they stood by her, etc. In this photo collection, shared on her blog, Kim and her daughters (Lily and Meika) put these ignorant cruelties front and center. [x]

"I have tried to explain to my daughters that people do not say these things to be mean, they say them out of ignorance, which is why I am sharing some of them. Words are powerful, they can become tools or weapons, choose to use them wisely."
Zoom Info
seraphica:

Kim Kelley-Wagner has two daughters who were adopted from China. In everyday life, they have been subjected to horrid statements from people - to their faces, to their mother as they stood by her, etc. In this photo collection, shared on her blog, Kim and her daughters (Lily and Meika) put these ignorant cruelties front and center. [x]

"I have tried to explain to my daughters that people do not say these things to be mean, they say them out of ignorance, which is why I am sharing some of them. Words are powerful, they can become tools or weapons, choose to use them wisely."
Zoom Info
seraphica:

Kim Kelley-Wagner has two daughters who were adopted from China. In everyday life, they have been subjected to horrid statements from people - to their faces, to their mother as they stood by her, etc. In this photo collection, shared on her blog, Kim and her daughters (Lily and Meika) put these ignorant cruelties front and center. [x]

"I have tried to explain to my daughters that people do not say these things to be mean, they say them out of ignorance, which is why I am sharing some of them. Words are powerful, they can become tools or weapons, choose to use them wisely."
Zoom Info
seraphica:

Kim Kelley-Wagner has two daughters who were adopted from China. In everyday life, they have been subjected to horrid statements from people - to their faces, to their mother as they stood by her, etc. In this photo collection, shared on her blog, Kim and her daughters (Lily and Meika) put these ignorant cruelties front and center. [x]

"I have tried to explain to my daughters that people do not say these things to be mean, they say them out of ignorance, which is why I am sharing some of them. Words are powerful, they can become tools or weapons, choose to use them wisely."
Zoom Info
seraphica:

Kim Kelley-Wagner has two daughters who were adopted from China. In everyday life, they have been subjected to horrid statements from people - to their faces, to their mother as they stood by her, etc. In this photo collection, shared on her blog, Kim and her daughters (Lily and Meika) put these ignorant cruelties front and center. [x]

"I have tried to explain to my daughters that people do not say these things to be mean, they say them out of ignorance, which is why I am sharing some of them. Words are powerful, they can become tools or weapons, choose to use them wisely."
Zoom Info
seraphica:

Kim Kelley-Wagner has two daughters who were adopted from China. In everyday life, they have been subjected to horrid statements from people - to their faces, to their mother as they stood by her, etc. In this photo collection, shared on her blog, Kim and her daughters (Lily and Meika) put these ignorant cruelties front and center. [x]

"I have tried to explain to my daughters that people do not say these things to be mean, they say them out of ignorance, which is why I am sharing some of them. Words are powerful, they can become tools or weapons, choose to use them wisely."
Zoom Info
seraphica:

Kim Kelley-Wagner has two daughters who were adopted from China. In everyday life, they have been subjected to horrid statements from people - to their faces, to their mother as they stood by her, etc. In this photo collection, shared on her blog, Kim and her daughters (Lily and Meika) put these ignorant cruelties front and center. [x]

"I have tried to explain to my daughters that people do not say these things to be mean, they say them out of ignorance, which is why I am sharing some of them. Words are powerful, they can become tools or weapons, choose to use them wisely."
Zoom Info

seraphica:

Kim Kelley-Wagner has two daughters who were adopted from China. In everyday life, they have been subjected to horrid statements from people - to their faces, to their mother as they stood by her, etc. In this photo collection, shared on her blog, Kim and her daughters (Lily and Meika) put these ignorant cruelties front and center. [x]

"I have tried to explain to my daughters that people do not say these things to be mean, they say them out of ignorance, which is why I am sharing some of them. Words are powerful, they can become tools or weapons, choose to use them wisely."

sniperj0e:

"date a girl who reads!!", "brainy is the new sexy!", "bigger books are better than bigger boobs!"

oh shut the fuck up

date a person who makes you smile, who makes you snort soda out of your nose and still thinks your laugh is cute

not based on how many john green novels they’ve read or episodes of sherlock they’ve watched you petty little fucks

micdotcom:

Woman live tweets IBM execs discussing why they don’t hire women, tries not to throw up

Toronto-based editor Lyndsay Kirkham has started a firestorm this week after overhearing what was apparently an incredibly sexist conversation between IBM executives at lunch — and live-tweeting it.
Unaware that they were transmitting sexist nonsense to cyberspace, the IBM executives openly discussed “why they don’t hire women.” If you take Kirkham’s account at its word, it actually gets way worse.
But wait, there’s more | Follow micdotcom
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micdotcom:

Woman live tweets IBM execs discussing why they don’t hire women, tries not to throw up

Toronto-based editor Lyndsay Kirkham has started a firestorm this week after overhearing what was apparently an incredibly sexist conversation between IBM executives at lunch — and live-tweeting it.
Unaware that they were transmitting sexist nonsense to cyberspace, the IBM executives openly discussed “why they don’t hire women.” If you take Kirkham’s account at its word, it actually gets way worse.
But wait, there’s more | Follow micdotcom
Zoom Info
micdotcom:

Woman live tweets IBM execs discussing why they don’t hire women, tries not to throw up

Toronto-based editor Lyndsay Kirkham has started a firestorm this week after overhearing what was apparently an incredibly sexist conversation between IBM executives at lunch — and live-tweeting it.
Unaware that they were transmitting sexist nonsense to cyberspace, the IBM executives openly discussed “why they don’t hire women.” If you take Kirkham’s account at its word, it actually gets way worse.
But wait, there’s more | Follow micdotcom
Zoom Info
micdotcom:

Woman live tweets IBM execs discussing why they don’t hire women, tries not to throw up

Toronto-based editor Lyndsay Kirkham has started a firestorm this week after overhearing what was apparently an incredibly sexist conversation between IBM executives at lunch — and live-tweeting it.
Unaware that they were transmitting sexist nonsense to cyberspace, the IBM executives openly discussed “why they don’t hire women.” If you take Kirkham’s account at its word, it actually gets way worse.
But wait, there’s more | Follow micdotcom
Zoom Info

micdotcom:

Woman live tweets IBM execs discussing why they don’t hire women, tries not to throw up

Toronto-based editor Lyndsay Kirkham has started a firestorm this week after overhearing what was apparently an incredibly sexist conversation between IBM executives at lunch — and live-tweeting it.

Unaware that they were transmitting sexist nonsense to cyberspace, the IBM executives openly discussed “why they don’t hire women.” If you take Kirkham’s account at its word, it actually gets way worse.

But wait, there’s more Follow micdotcom

darksilenceinsuburbia:

Out of the Closets, Into the Streets: Gay Liberation photography 1971-1973 at Edmund Pearce Gallery, Melbourne
1. Phillip Potter. Gay is Good,1971, printed 2014
Digital C type print on Kodak Endura Matte© Phillip Potter
 2. Phillip Potter. Queens, 1971
3. Ponch Hawkes.Gay Liberation march, Russell Street, Melbourne. Melbourne, 1973
4. Rennie Ellis.The Kiss, Gay Pride Week, Melbourne 1973. Silver gelatin photograph. © Rennie Ellis
5. Barbara Creed.Julian Desaily and Peter McEwan in the back of a VW Combi van, Melbourne. Melbourne, c. 1971-73. Digital C type print on Kodak Endura Matte. © Barbara Creed
6. John Englart.Dancing with the Hare Krishnas in the Sydney Domain. Sydney, 1973.Digital C type print on Kodak Endura Matte. © John Englart
7, 8 & 9. Anonymous. Graffiti on Melbourne streets.1971-73
Zoom Info
darksilenceinsuburbia:

Out of the Closets, Into the Streets: Gay Liberation photography 1971-1973 at Edmund Pearce Gallery, Melbourne
1. Phillip Potter. Gay is Good,1971, printed 2014
Digital C type print on Kodak Endura Matte© Phillip Potter
 2. Phillip Potter. Queens, 1971
3. Ponch Hawkes.Gay Liberation march, Russell Street, Melbourne. Melbourne, 1973
4. Rennie Ellis.The Kiss, Gay Pride Week, Melbourne 1973. Silver gelatin photograph. © Rennie Ellis
5. Barbara Creed.Julian Desaily and Peter McEwan in the back of a VW Combi van, Melbourne. Melbourne, c. 1971-73. Digital C type print on Kodak Endura Matte. © Barbara Creed
6. John Englart.Dancing with the Hare Krishnas in the Sydney Domain. Sydney, 1973.Digital C type print on Kodak Endura Matte. © John Englart
7, 8 & 9. Anonymous. Graffiti on Melbourne streets.1971-73
Zoom Info
darksilenceinsuburbia:

Out of the Closets, Into the Streets: Gay Liberation photography 1971-1973 at Edmund Pearce Gallery, Melbourne
1. Phillip Potter. Gay is Good,1971, printed 2014
Digital C type print on Kodak Endura Matte© Phillip Potter
 2. Phillip Potter. Queens, 1971
3. Ponch Hawkes.Gay Liberation march, Russell Street, Melbourne. Melbourne, 1973
4. Rennie Ellis.The Kiss, Gay Pride Week, Melbourne 1973. Silver gelatin photograph. © Rennie Ellis
5. Barbara Creed.Julian Desaily and Peter McEwan in the back of a VW Combi van, Melbourne. Melbourne, c. 1971-73. Digital C type print on Kodak Endura Matte. © Barbara Creed
6. John Englart.Dancing with the Hare Krishnas in the Sydney Domain. Sydney, 1973.Digital C type print on Kodak Endura Matte. © John Englart
7, 8 & 9. Anonymous. Graffiti on Melbourne streets.1971-73
Zoom Info
darksilenceinsuburbia:

Out of the Closets, Into the Streets: Gay Liberation photography 1971-1973 at Edmund Pearce Gallery, Melbourne
1. Phillip Potter. Gay is Good,1971, printed 2014
Digital C type print on Kodak Endura Matte© Phillip Potter
 2. Phillip Potter. Queens, 1971
3. Ponch Hawkes.Gay Liberation march, Russell Street, Melbourne. Melbourne, 1973
4. Rennie Ellis.The Kiss, Gay Pride Week, Melbourne 1973. Silver gelatin photograph. © Rennie Ellis
5. Barbara Creed.Julian Desaily and Peter McEwan in the back of a VW Combi van, Melbourne. Melbourne, c. 1971-73. Digital C type print on Kodak Endura Matte. © Barbara Creed
6. John Englart.Dancing with the Hare Krishnas in the Sydney Domain. Sydney, 1973.Digital C type print on Kodak Endura Matte. © John Englart
7, 8 & 9. Anonymous. Graffiti on Melbourne streets.1971-73
Zoom Info
darksilenceinsuburbia:

Out of the Closets, Into the Streets: Gay Liberation photography 1971-1973 at Edmund Pearce Gallery, Melbourne
1. Phillip Potter. Gay is Good,1971, printed 2014
Digital C type print on Kodak Endura Matte© Phillip Potter
 2. Phillip Potter. Queens, 1971
3. Ponch Hawkes.Gay Liberation march, Russell Street, Melbourne. Melbourne, 1973
4. Rennie Ellis.The Kiss, Gay Pride Week, Melbourne 1973. Silver gelatin photograph. © Rennie Ellis
5. Barbara Creed.Julian Desaily and Peter McEwan in the back of a VW Combi van, Melbourne. Melbourne, c. 1971-73. Digital C type print on Kodak Endura Matte. © Barbara Creed
6. John Englart.Dancing with the Hare Krishnas in the Sydney Domain. Sydney, 1973.Digital C type print on Kodak Endura Matte. © John Englart
7, 8 & 9. Anonymous. Graffiti on Melbourne streets.1971-73
Zoom Info
darksilenceinsuburbia:

Out of the Closets, Into the Streets: Gay Liberation photography 1971-1973 at Edmund Pearce Gallery, Melbourne
1. Phillip Potter. Gay is Good,1971, printed 2014
Digital C type print on Kodak Endura Matte© Phillip Potter
 2. Phillip Potter. Queens, 1971
3. Ponch Hawkes.Gay Liberation march, Russell Street, Melbourne. Melbourne, 1973
4. Rennie Ellis.The Kiss, Gay Pride Week, Melbourne 1973. Silver gelatin photograph. © Rennie Ellis
5. Barbara Creed.Julian Desaily and Peter McEwan in the back of a VW Combi van, Melbourne. Melbourne, c. 1971-73. Digital C type print on Kodak Endura Matte. © Barbara Creed
6. John Englart.Dancing with the Hare Krishnas in the Sydney Domain. Sydney, 1973.Digital C type print on Kodak Endura Matte. © John Englart
7, 8 & 9. Anonymous. Graffiti on Melbourne streets.1971-73
Zoom Info
darksilenceinsuburbia:

Out of the Closets, Into the Streets: Gay Liberation photography 1971-1973 at Edmund Pearce Gallery, Melbourne
1. Phillip Potter. Gay is Good,1971, printed 2014
Digital C type print on Kodak Endura Matte© Phillip Potter
 2. Phillip Potter. Queens, 1971
3. Ponch Hawkes.Gay Liberation march, Russell Street, Melbourne. Melbourne, 1973
4. Rennie Ellis.The Kiss, Gay Pride Week, Melbourne 1973. Silver gelatin photograph. © Rennie Ellis
5. Barbara Creed.Julian Desaily and Peter McEwan in the back of a VW Combi van, Melbourne. Melbourne, c. 1971-73. Digital C type print on Kodak Endura Matte. © Barbara Creed
6. John Englart.Dancing with the Hare Krishnas in the Sydney Domain. Sydney, 1973.Digital C type print on Kodak Endura Matte. © John Englart
7, 8 & 9. Anonymous. Graffiti on Melbourne streets.1971-73
Zoom Info

darksilenceinsuburbia:

Out of the Closets, Into the Streets: Gay Liberation photography 1971-1973 at Edmund Pearce Gallery, Melbourne

1. Phillip Potter. Gay is Good,1971, printed 2014

Digital C type print on Kodak Endura Matte
© Phillip Potter

 2. Phillip Potter. Queens, 1971

3. Ponch Hawkes.Gay Liberation march, Russell Street, Melbourne. Melbourne, 1973

4. Rennie Ellis.The Kiss, Gay Pride Week, Melbourne 1973. Silver gelatin photograph. © Rennie Ellis

5. Barbara Creed.Julian Desaily and Peter McEwan in the back of a VW Combi van, Melbourne. Melbourne, c. 1971-73. Digital C type print on Kodak Endura Matte. © Barbara Creed

6. John Englart.Dancing with the Hare Krishnas in the Sydney Domain. Sydney, 1973.Digital C type print on Kodak Endura Matte. © John Englart

7, 8 & 9. Anonymous. Graffiti on Melbourne streets.1971-73